Monday, February 20, 2012

The Finest of Children's Literature


I wrote this article for a quarterly which was published this month. Since I've been rubbish about posting. I thought I would post some "original work" on a broad but oft neglected topic: Children's Fiction.

Having a five-year-old daughter and a four-year-old bookshop gives me some authority to suggest that what your child reads is not a subject to be taken lightly.

To be involved in your child’s reading habits when work schedules are what they are (and social media enticing as it is) can seem something of a chore.
Traditionally parental duties are discharged through assistance with a child’s homework. Efforts to inculcate reading habits extended to thrusting a copy of The Narnia Chronicles, or anything Enid Blyton on a child to go off and read.

But I ask you: how many hours have you spent discussing the spelling of “attic” with your child or the ramifications of multiplying 6 by 6? Good plots and novel ideas are precious reserve for nascent intellects, and can yield rewards aplenty for you and your brood.

If you still believe your child will be better off following the fair and noble Narnian’s into battles against the darker complexioned, desert dwelling Calormen, without an adult pointing out the crude and offensive stereotypes, employed by C.S. Lewis in his allegory to the crusades, then you are doing your children a grave disservice. 

Children’s literature allows the possibility of accompanying children as they explore the limits of their imaginations, and cobble together values that will keep them in good stead. Whether you perceive the embedded messages as helpful or harmful, a child would benefit greatly from adult analysis and wisdom.

Writers of children’s fiction are aware of the profundity of introducing philosophies or notions into tales. Theodor Seuss Geisel (or more affectionately, Dr. Suess) wrote The Lorax (ages 5-9) in 1971 as an impassioned plea to protect the environment from the advance of big business. The story opens with the Once-ler recounting how his younger more enterprising self stumbled across the bright-colored tufts of the Truffula trees, which he promptly cuts down to knitted a thneed- “a Fine-Something-That-All-People-Need. 
Almost instantaneously The Lorax- who speaks for the trees- appears out of the stump of the chopped tree and confronts the Once-ler as to the folly of his ways.  Consumed by greed, the Once-ler waves away the Lorax and sets out to industrialize and plunder the plush Truffula forest for maximum profit.

The ensuing pollution and depletion of the Truffula trees in succession spells disaster for the Bar-ba-loots, Swomee Swans and the Humming Fish, who rely on the Truffula trees for survival.

The Lorax brings news of the demise of each species to the attention of the industrialist Once-ler, who despite residing in a now blighted landscape, is still bent on “biggering and biggering”. The story reaches its inevitable crescendo, which whilst weighing heavy on adult readers, empowers children by placing the future firmly in their hands.

From environmental degradation, Dr. Seuss went on to tackle the prevailing geo-political scenario in his 1984 anti-war classic The Butter Battle Book (ages 5-9).
Although the depiction of an arms race across a berlin-esque wall may appear somewhat dated, the themes of intolerance and tit for tat violence similarly characterize sectarian conflicts today.

The generational hatred of the Zooks and the Yooks, in true Swiftian manner, revolves around their differences in buttering toast. That this absurd prejudice emanates from the martial grandfather should put paid to any faith in authority or elders that a child might have. If not, the consequent self-assured mutual destruction at their hands should drive the point home
The Butter Battle Book does at times come across more heavy handed then satirical. But far be it for me to disagree with the barely veiled politics, when our children are set to inherit a more volatile and insecure world than I did.

Click, Click, Moo: Cows That Type (ages 3-5) is of a lighter vein, but equally potent. Farmer Brown runs up against opposition when the cows, upon discovery of a typewriter, take the radical step of unionizing and draw up a list of demands. Farmer Brown incensed by the dissent refuses to meet the demands of the cows, which results, much to his consternation, in industrial action. No Milk and No Eggs! A deadlock ensues which eventually gives way to a compromise brokered by the ducks who harbor their own agenda.

Author Doreen Cronin wrote this exceeding charming book whilst still at law school, which probably explains the activism inherent to the tale. Whilst the implied revolutionary themes are evident to adults, children are more likely to be caught up laughing at the cantankerous Framer Brown and the absurdity of animals tapping away at a keyboard. Having said that there are sure to be the clever few who will develop an early appreciation for direct action which should make for interesting parenting,

Whilst we pour our energies into equipping our children for life, the foundation for any healthy human being is unconditional love. Shel Silverstein’s classic The Giving Tree (ages 3-5) charts the life of a boy and his relationship with a tree. As a child the boy played with the tree, and the tree nurtured the boy. As the boy grows so do his needs. Despite periods of prolonged absence during the boy’s adulthood, the tree meets the boys changing needs by making greater and greater sacrifices. At first she gives him her apples to sell so he may prosper; her branches so he may build a home; and eventually her entire trunk so he can construct a boat and sail away from his woes. At the end of the boy’s life he returns to the tree who has nothing left to give, but the boy requires only a place to sit for which the tree, now a stump, is ready to provide.
 
The Giving Tree is a quiet intimate tale, capable of eliciting powerful reactions from adult readers. Some are moved by the sad inevitable of a child flying the coop and facing the challenges of life, whilst others find the boys demands irksome and indicative of overindulgent parenting. Be that as it may the tree’s unconditional love is a comfort to children and a gentle reminder to parents as to their primary duty.

Some of the Best of What’s out there:
THE COBBLER'S HOLIDAY: or Why Ants Don't Wear Shoes By Musharraf Ali Farooqi
Where the Wild Things Are by Maurice Sendak

Moon Man by Tomi Ungerer

The Gruffalo by Julia Donaldson
The Tale of Peter Rabbit by Beatrix Potter
Ottoline and the Yellow Cat by Chris Riddell  
Charlie & Lola: But Excuse Me That Is My Book
The Invention of Hugo Cabret by Brian Selznic
The Mysterious Benedict Society by Trenton Lee Stewart
The Mr. Men by Roger Hargreaves
Bippolo Seed and other lost stories by Dr. Seuss
Emily Strange by Rob Reger
The Graveyard Book by Neil Gaiman 
The Hunger Games by Suzanne Collins

Thursday, October 27, 2011

Halloween Special

As I sit here waiting for my shipment to be cleared from customs, wringing my hands and, obsessing over the sheer inhumanity of it all- dealing with customs generally puts me in a very melancholic mood-
it occurs to me that Halloween is almost upon us. It failed to register when I walked past a glow in the dark skeleton at Alfatah a week ago, but since I'm swimming in the depth of despair preparing myself for unforeseen horrors at the hands of customs and excise I seem to be aware of all things sinister.

We/Me/The Last Word has, dare I say, an awesome selection of horror titles.
 
The Passage by award winning writer Justin Cronin is jaw droppingly good.
The U.S. government, trying to extend human life by reactivating the thalamus, has modified a family of viruses. During testing, they take 12 men off death row and create blood-sucking, phosphorescent, telepathic, essentially immortal, killing machines who can only be killed in turn by a single shot through the weak spot in their protein-based exoskeleton “…over the breastbone, a strike zone about three inches square.”  Yes it's post-apocalyptic vampire fiction with a difference. 

The Road by Cormac McCarthy- Winner of the Pulitzer Prize for Fiction 2007.
Set in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. Stealing across this horrific  landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. You will most likely devour this book in one sitting but it will stay with you forever.

Rebecca by Daphne De Maurier 
Manderley is second-in-command in the creepy house triumvirate. It is a place suffocated by the memory of its first mistress, Rebecca de Winter, whom everyone assumed was nothing short of perfect. The newly-married, inexperienced second Mrs. de Winter gradually unravels the mystery surrounding Rebecca's death even as she tries in vain to emulate her in life. The malevolent housekeeper Mrs. Danvers constantly interrupts her snooping, and Mrs. de Winter's moody husband does little to help as the life they've built at Manderley spirals out of control.

Harbour by John Ajvide Lindqvist. Widely touted as the successor to Stephen King, the author of the wildly successful Let the Right One In, tackles another horror genre with great skill and fantastic results. Anders, his wife and their feisty six-year-old, Maja, set out across the ice of the Swedish archipelago to visit the lighthouse on Gavasten. There was no one around, so they let her go on ahead. She disappeared, and was never found again. Two years later, Anders is a broken alcoholic, his life ruined. He returns to the archipelago, but all he finds are Maja's toys and through the haze of memory, loss and alcohol, he realizes that someone - or something - is trying to communicate with him. Soon enough, his return sets in motion a series of horrifying events which exposes a mysterious and troubling relationship between the inhabitants of the remote island and the sea.

Walking Dead by Robert Kirkman and Tony Moore is an Eisner Award winning comic series that inspired the TV series Walking Dead. It follows a small time police officer in his attempts to outrun Zombies along with his family and a rag tag crew of survivors. The comic shares scant similarity with the TV series. While the dramatisation plays it safe the comic series has a far more adventurous and shocking plot line. Recommend for readers who are ready for anything.

The Strain and The Fall by Guillermo del Toro and Chuck Hogan
Two parts of a Vampire Trilogy, the last of which is released this month. The Strain follows the story of a plane that lands in New York with nearly all passangers dead and a mysterious, earth filled coffin in the hold. So begins a battle of mammoth proportions as the vampiric virus that has infected New York begins to spill out into the streets.The Fall is the exhilarating climax. The contagion is taking over the country and humanity seems to be loosing to the blood thirsty predators.  

The Haunted by Chuck Palahniuk
Haunted is a novel made up of stories: twenty-three of the most horrifying, hilarious, mind-blowing, stomach-churning tales you'll ever. They are told by the people who have all answered an ad headlined 'Artists Retreat: Abandon your life for three months'. They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theatre where they are utterly isolated from the outside world - and where heat and power and, most importantly, food are in increasingly short supply. And the more desperate the circumstances become, the more desperate the stories they tell - and the more devious their machinations become to make themselves the hero of the inevitable play/movie/non-fiction blockbuster that will certainly be made from their plight.

Granta Horror Vol.117
Granta 117 takes a stab at understanding the phenomenon that is horror. With award-winning reportage, memoir and fiction, Granta has illuminated the most complex issues of modern life through the refractory light of literature. In Rajesh Parameswaran's short story, a tiger escapes from the zoo and narrates its adventures as it terrorizes a neighbourhood. Nic Dunlop recounts his chance meeting with a Cambodian mass-murderer. Daniel Alarcon explores the phenomenon of staged blood baths. Mark Doty ruminates on a close encounter between Walt Whitman and Bram Stoker. There's also new fiction by Alice Munro, Joy Williams, Julie Otsuka, and Don DeLillo.


Sympathy for the Devil edited by Tim Pratt
The Devil is known by many names: Serpent, Tempter, Beast, Adversary, Wanderer, Dragon, Rebel. His traps and machinations are the stuff of legends. His faces are legion. No matter what face the devil wears, Sympathy for the Devil has them all. Edited by Tim Pratt, Sympathy for the Devil collects the best Satanic short stories by Neil Gaiman, Holly Black, Stephen King, Kage Baker, Charles Stross, Elizabeth Bear, Jay Lake, Kelly Link, China Mieville, Michael Chabon, and many others, revealing His Grand Infernal Majesty, in all his forms. Thirty-five stories, from classics to the cutting edge, exploring the many sides of Satan, Lucifer, the Lord of the Flies, the Father of Lies, the Prince of the Powers of the Air and Darkness, the First of the Fallen... and a Man of Wealth and Taste. Sit down and spend a little time with the Devil. 





Vampire Archive edited by Otto Penzler and Kim Newman
Here are ruined castles, abbeys and crypts, spires and bats silhouetted against full moons, sharp-toothed men in full evening dress seducing beautiful, innocent young women, coffin lids being raised to reveal unspeakable residents. But the classic vampire of gothic tradition is not the only fiend to stalk the thousand pages of this vast collection. Vampires come in many guises, and all can be found within: reluctant vampires, detective vampires, space vampires, lesbian vampires, punk vampires. There are stories here by men and women from every literary era of the past century and a half, right up to the most talented writers of the present day. Includes stories from Lord Byron, John Keats, Bram Stoker, Arthur Conan Doyle, Edgar Allan Poe, M R James, H P Lovecraft, D H Lawrence, Roger Zelazny, Ray Bradbury, Harlan Ellison, Dan Simmons, Lisa Tuttle, Stephen King, Anne Rice and Clive Barker.

Special mentions:

Army of Darkness The Graphic Novel
Creep Show: The Illustrated Stephen King Movie Guide
Hammer Story: The Authorised History of Hammer Films.














       

Monday, September 26, 2011

Hidden Treasures: The Complete Brigadier Gerard by Arthur Conan Doyle

There was some degree of fuss on the interwebs today regarding the publication of Arthur Conan Doyle's first novel The Narrative of John Smith. The creator of Sherlock Holmes had spent a year (1883-84) setting down the reflections of a man confined to his room by gout, only for the manuscript to get lost in the post. Despite meticulously reconstructed the novel from memory Arthur Conan Doyle never re-submitted the book for publication during his lifetime.
He once joked "My shock at its disappearance would be as nothing to my horror if it were suddenly to appear again - in print."
Now Conan Doyle's literary estate have, in their infinite wisdom, consented to the publication of the novel, which has been part of the British Library's collection since 2007.

Pardon my skepticism, but after the reception of Vladimir Nabakov's unfinished "The Original of Laura" (which due to it's fragmentary nature can only loosely be called a "novel"), I put great stock in an author's wish not to publish. In the case of "John Smith" Doyle's quip doesn't inspire much confidence. 
However there is much that Arthur Conan Doyle has given us apart from the infamous detective and the unfortunately named John Smith. As Holmes goes through a variety of treatments including film, TV and animation (my daughter loves Tom and Jerry meet Sherlock Holmes), The Exploits and Adventures of Brigadier Gerard goes largely ignored. Beloved of Churchill and currently enjoying popularity among contemporary authors like Philip Pullman and Michael Chabon (The Amazing Adventures of Kavalier & Clay), "Brigadier Gerard is a handsome, charming and resourceful cavalry officer serving in the Grand Army of Napoleon his only one tragic flaw is that he is a Frenchman".  Arthur Conan Doyle indulges in a long favored tradition of poking fun at the French with a hilariously vain and self-important hero who closely resembles a cross between George MacDonald Fraser's Flashman and Wodehouse's Bertie Wooster.

The Complete Brigadier Gerard is a collection of all the short stories featuring the vainglorious officer and his heroic exploits which are equal parts funny, tragic, nail biting and often absurd.

Below is the review by Michael Chabon, and an extract which should make for an entertaining read.

Michael Chabon: Charmed by a Dashing Brigadier



You might know that by 1893, Sir Arthur Conan Doyle was heartily sick of Sherlock Holmes. So he arranged to have his great creation tangle with a murderous arch-villain named Professor James Moriarty beside a high waterfall on a convenient Swiss Alp. You may also know that 10 years later, Conan Doyle was obliged by financial pressures to reveal to a grateful world that Holmes had merely staged his own death.
But did you know that in between gleefully killing off Holmes and somewhat reluctantly reviving him, Arthur Conan Doyle created another great fictional character, one who easily rivals Holmes — if not for intelligence, then for heroism, bravery and dash? A character who exceeds Holmes in the one trait in which the great detective, by his own admission, was always deficient: a rich and lovable humanity. This hero, a handsome, charming and resourceful cavalry officer serving in the Grand Army of Napoleon, has only one tragic flaw, though in his own eyes, of course, it is his glory and his single greatest advantage in life: He is a Frenchman.
His name is Brigadier Etienne Gerard, and he starred in 17 short stories that Conan Doyle wrote, with a palpable sense of liberation, after pushing Holmes off that Alpine ledge. In their day they were almost as popular as the Holmes stories, but I have to confess that even though I'm a lifelong Sherlockian, I had never heard of the good brigadier until his exploits and adventures were recently collected in a single volume.
In its pages you will find adventure, action, romance, love and self-sacrifice, hair's-breadth escape and reckless courage, gallantry, panache and a droll, backhand humor that rivals that of P.G. Wodehouse. You will also find yourself, even more than with the celebrated stories of Holmes and Watson, in the hands of an indisputable artist. For more than any other adventure stories I know, these stories have a power to move the reader.
Etienne Gerard, like all Frenchmen ever conceived of by Englishmen, is vain, conceited, self-important and blind to anything that does not touch directly on his honor. He is also tender, affectionate and sensitive. Even though his heart is so filled with love for himself, he still manages to open it to the plight of those who arouse his admiration. He sees the humanity in everyone, even Napoleon, who makes a number of cameo appearances.
Anyone who has laughed as the taunting Frenchmen of Monty Python and the Holy Grail hurl lunatic insults (and livestock) from their castle onto the heads of Arthur and his knights knows how much the English love to make fun of the French and their scorn for Englishmen. And Conan Doyle might very easily have contented himself and his readers with the humor in that ancient friendly enmity. But the grace, in the truest sense, of Conan Doyle's artistry is that his work is always so much better than it needed to be.
Conan Doyle placed himself, imaginatively, into the heart, soul and boots of a French cavalry officer, a man sworn to fight and kill Englishmen. With humor, affection and real insight into a soldier's life, Conan Doyle bridges the gap between him and his dashing popinjay of a hero. His artistry bridges the gap between our century and his, between a world lit by torches and whale-oil lamps and our own, between a time when war was still conducted face to face and our dehumanized era of collateral damage and target-rich environments. That act of imaginative sympathy is the requirement and blessing of literature. And it calls forth a similar act in the mind of the reader. It's one that few writers have ever pulled off more touchingly and winningly than in these unjustly forgotten tales by a great master.




Chapter 1: How the Brigadier Came to the Castle of Gloom
You do very well, my friends, to treat me with some little reverence, for in honouring me you are honouring both France and yourselves. It is not merely an old, grey-moustached officer whom you see eating his omelette or draining his glass, but it is a fragment of history. In me you see one of the last of those wonderful men, the men who were veterans when they were yet boys, who learned to use a sword earlier than a razor, and who during a hundred battles had never once let the enemy see the colour of their knapsacks. For twenty years we were teaching Europe how to fight, and even when they had learned their lesson it was only the thermometer, and never the bayonet, which could break the Grand Army down. Berlin, Naples, Vienna, Madrid, Lisbon, Moscow—we stabled our horses in them all. Yes, my friends, I say again that you do well to send your children to me with flowers, for these ears have heard the trumpet calls of France, and these eyes have seen her standards in lands where they may never be seen again.
Even now, when I doze in my arm-chair, I can see those great warriors stream before me—the green-jacketed chasseurs, the giant cuirassiers, Poniatowsky's lancers, the white-mantled dragoons, the nodding bearskins of the horse grenadiers. And then there comes the thick, low rattle of the drums, and through wreaths of dust and smoke I see the line of high bonnets, the row of brown faces, the swing and toss of the long, red plumes amid the sloping lines of steel. And there rides Ney with his red head, and Lefebvre with his bulldog jaw, and Lannes with his Gascon swagger; and then amidst the gleam of brass and the flaunting feathers I catch a glimpse of him, the man with the pale smile, the rounded shoulders, and the far-off eyes. There is an end of my sleep, my friends, for up I spring from my chair, with a cracked voice calling and a silly hand outstretched, so that Madame Titaux has one more laugh at the old fellow who lives among the shadows.
Although I was a full Chief of Brigade when the wars came to an end, and had every hope of soon being made a General of Division, it is still rather to my earlier days that I turn when I wish to talk of the glories and the trials of a soldier's life. For you will understand that when an officer has so many men and horses under him, he has his mind full of recruits and remounts, fodder and farriers, and quarters, so that even when he is not in the face of the enemy, life is a very serious matter for him. But when he is only a lieutenant or a captain he has nothing heavier than his epaulettes upon his shoulders, so that he can clink his spurs and swing his dolman, drain his glass and kiss his girl, thinking of nothing save of enjoying a gallant life. That is the time when he is likely to have adventures, and it is often to that time that I shall turn in the stories which I may have for you. So it will be tonight when I tell you of my visit to the Castle of Gloom; of the strange mission of Sub-Lieutenant Duroc, and of the horrible affair of the man who was once known as Jean Carabin, and afterwards as the Baron Straubenthal.
You must know, then, that in the February of 1807, immediately after the taking of Danzig, Major Legendre and I were commissioned to bring four hundred remounts from Prussia into Eastern Poland.
The hard weather, and especially the great battle at Eylau, had killed so many of the horses that there was some danger of our beautiful Tenth of Hussars becoming a battalion of light infantry. We knew, therefore, both the Major and I, that we should be very welcome at the front. We did not advance very rapidly, however, for the snow was deep, the roads detestable, and we had but twenty returning invalids to assist us. Besides, it is impossible, when you have a daily change of forage, and sometimes none at all, to move horses faster than a walk. I am aware that in the story-books the cavalry whirls past at the maddest of gallops; but for my own part, after twelve campaigns, I should be very satisfied to know that my brigade could always walk upon the march and trot in the presence of the enemy. This I say of the hussars and chasseurs, mark you, so that it is far more the case with cuirassiers or dragoons.
For myself I am fond of horses, and to have four hundred of them, of every age and shade and character, all under my own hands, was a very great pleasure to me. They were from Pomerania for the most part, though some were from Normandy and some from Alsace, and it amused us to notice that they differed in character as much as the people of those provinces. We observed also, what I have often proved since, that the nature of a horse can be told by his colour, from the coquettish light bay, full of fancies and nerves, to the hardy chestnut, and from the docile roan to the pig-headed rusty-black. All this has nothing in the world to do with my story, but how is an officer of cavalry to get on with his tale when he finds four hundred horses waiting for him at the outset? It is my habit, you see, to talk of that which interests myself and so I hope that I may interest you.
We crossed the Vistula opposite Marienwerder, and had got as far as Riesenberg, when Major Legendre came into my room in the post-house with an open paper in his hand.
'You are to leave me,' said he, with despair upon his face.
It was no very great grief to me to do that, for he was, if I may say so, hardly worthy to have such a subaltern. I saluted, however, in silence.
'It is an order from General Lasalle,' he continued; 'you are to proceed to Rossel instantly, and to report yourself at the headquarters of the regiment.'
No message could have pleased me better. I was already very well thought of by my superior officers. It was evident to me, therefore, that this sudden order meant that the regiment was about to see service once more, and that Lasalle understood how incomplete my squadron would be without me. It is true that it came at an inconvenient moment, for the keeper of the post-house had a daughter—one of those ivory-skinned, black-haired Polish girls—with whom I had hoped to have some further talk. Still, it is not for the pawn to argue when the fingers of the player move him from the square; so down I went, saddled my big black charger, Rataplan, and set off instantly upon my lonely journey.
My word, it was a treat for those poor Poles and Jews, who have so little to brighten their dull lives, to see such a picture as that before their doors! The frosty morning air made Rataplan's great black limbs and the beautiful curves of his back and sides gleam and shimmer with every gambade. As for me, the rattle of hoofs upon a road, and the jingle of bridle chains which comes with every toss of a saucy head, would even now set my blood dancing through my veins. You may think, then, how I carried myself in my five-and-twentieth year—I, Etienne Gerard, the picked horseman and surest blade in the ten regiments of hussars. Blue was our colour in the Tenth—a sky-blue dolman and pelisse with a scarlet front—and it was said of us in the army that we could set a whole population running, the women towards us, and the men away. There were bright eyes in the Riesenberg windows that morning which seemed to beg me to tarry; but what can a soldier do, save to kiss his hand and shake his bridle as he rides upon his way?
It was a bleak season to ride through the poorest and ugliest country in Europe, but there was a cloudless sky above, and a bright, cold sun, which shimmered on the huge snowfields. My breath reeked into the frosty air, and Rataplan sent up two feathers of steam from his nostrils, while the icicles drooped from the side-irons of his bit. I let him trot to warm his limbs, while for my own part I had too much to think of to give much heed to the cold. To north and south stretched the great plains, mottled over with dark clumps of fir and lighter patches of larch. A few cottages peeped out here and there, but it was only three months since the Grand Army had passed that way, and you know what that meant to a country. The Poles were our friends, it was true, but out of a hundred thousand men, only the Guard had waggons, and the rest had to live as best they might. It did not surprise me, therefore, to see no signs of cattle and no smoke from the silent houses. A weal had been left across the country where the great host had passed, and it was said that even the rats were starved wherever the Emperor had led his men.
By midday I had got as far as the village of Saalfeldt, but as I was on the direct road for Osterode, where the Emperor was wintering, and also for the main camp of the seven divisions of infantry, the highway was choked with carriages and carts. What with artillery caissons and waggons and couriers, and the ever-thickening stream of recruits and stragglers, it seemed to me that it would be a very long time before I should join my comrades. The plains, however, were five feet deep in snow, so there was nothing for it but to plod upon our way. It was with joy, therefore, that I found a second road which branched away from the other, trending through a fir-wood towards the north. There was a small auberge at the cross-roads, and a patrol of the Third Hussars of Conflans—the very regiment of which I was afterwards colonel—were mounting their horses at the door. On the steps stood their officer, a slight, pale young man, who looked more like a young priest from a seminary than a leader of the devil-may-care rascals before him.
'Good-day, sir,' said he, seeing that I pulled up my horse.
'Good-day,' I answered. 'I am Lieutenant Etienne Gerard, of the Tenth.'
I could see by his face that he had heard of me. Everybody had heard of me since my duel with the six fencing masters. My manner, however, served to put him at his ease with me.
'I am Sub-Lieutenant Duroc, of the Third,' said he.
'Newly joined?' I asked.
'Last week.'
I had thought as much, from his white face and from the way in which he let his men lounge upon their horses. It was not so long, however, since I had learned myself what it was like when a schoolboy has to give orders to veteran troopers. It made me blush, I remember, to shout abrupt commands to men who had seen more battles than I had years, and it would have come more natural for me to say, 'With your permission, we shall now wheel into line,' or, 'If you think it best, we shall trot.' I did not think the less of the lad, therefore, when I observed that his men were somewhat out of hand, but I gave them a glance which stiffened them in their saddles.
'May I ask, monsieur, whether you are going by this northern road?' I asked.
'My orders are to patrol it as far as Arensdorf,' said he.
'Then I will, with your permission, ride so far with you,' said I. 'It is very clear that the longer way will be the faster.'
So it proved, for this road led away from the army into a country which was given over to Cossacks and marauders, and it was as bare as the other was crowded. Duroc and I rode in front, with our six troopers clattering in the rear. He was a good boy, this Duroc, with his head full of the nonsense that they teach at St Cyr, knowing more about Alexander and Pompey than how to mix a horse's fodder or care for a horse's feet. Still, he was, as I have said, a good boy, unspoiled as yet by the camp. It pleased me to hear him prattle away about his sister Marie and about his mother in Amiens. Presently we found ourselves at the village of Hayenau. Duroc rode up to the post-house and asked to see the master.
'Can you tell me,' said he, 'whether the man who calls himself the Baron Straubenthal lives in these parts?'
The postmaster shook his head, and we rode upon our way. I took no notice of this, but when, at the next village, my comrade repeated the same question, with the same result, I could not help asking him who this Baron Straubenthal might be.
'He is a man,' said Duroc, with a sudden flush upon his boyish face, 'to whom I have a very important message to convey.'
Well, this was not satisfactory, but there was something in my companion's manner which told me that any further questioning would be distasteful to him. I said nothing more, therefore, but Duroc would still ask every peasant whom we met whether he could give him any news of the Baron Straubenthal.
For my own part I was endeavouring, as an officer of light cavalry should, to form an idea of the lay of the country, to note the course of the streams, and to mark the places where there should be fords. Every step was taking us farther from the camp round the flanks of which we were travelling. Far to the south a few plumes of grey smoke in the frosty air marked the position of some of our outposts. To the north, however, there was nothing between ourselves and the Russian winter quarters. Twice on the extreme horizon I caught a glimpse of the glitter of steel, and pointed it out to my companion. It was too distant for us to tell whence it came, but we had little doubt that it was from the lance-heads of marauding Cossacks.
The sun was just setting when we rode over a low hill and saw a small village upon our right, and on our left a high black castle, which jutted out from amongst the pine-woods. A farmer with his cart was approaching us—a matted-haired, downcast fellow, in a sheepskin jacket.
'What village is this?' asked Duroc.
'It is Arensdorf,' he answered, in his barbarous German dialect.
'Then here I am to stay the night,' said my young companion. Then, turning to the farmer, he asked his eternal question, 'Can you tell me where the Baron Straubenthal lives?'
'Why, it is he who owns the Castle of Gloom,' said the farmer, pointing to the dark turrets over the distant fir forest.
Duroc gave a shout like the sportsman who sees his game rising in front of him. The lad seemed to have gone off his head—his eyes shining, his face deathly white, and such a grim set about his mouth as made the farmer shrink away from him. I can see him now, leaning forward on his brown horse, with his eager gaze fixed upon the great black tower.
'Why do you call it the Castle of Gloom?' I asked.
'Well, it's the name it bears upon the countryside,' said the farmer. 'By all accounts there have been some black doings up yonder. It's not for nothing that the wickedest man in Poland has been living there these fourteen years past.'
'A Polish nobleman?' I asked.
'Nay, we breed no such men in Poland,' he answered.
'A Frenchman, then?' cried Duroc.
'They say that he came from France.'
'And with red hair?'
'As red as a fox.'
'Yes, yes, it is my man,' cried my companion, quivering all over in his excitement. 'It is the hand of Providence which has led me here. Who can say that there is not justice in this world? Come, Monsieur Gerard, for I must see the men safely quartered before I can attend to this private matter.'
He spurred on his horse, and ten minutes later we were at the door of the inn of Arensdorf, where his men were to find their quarters for the night.
Well, all this was no affair of mine, and I could not imagine what the meaning of it might be. Rossel was still far off, but I determined to ride on for a few hours and take my chance of some wayside barn in which I could find shelter for Rataplan and myself. I had mounted my horse, therefore, after tossing off a cup of wine, when young Duroc came running out of the door and laid his hand upon my knee.
'Monsieur Gerard,' he panted, 'I beg of you not to abandon me like this!'
'My good sir,' said I, 'if you would tell me what is the matter and what you would wish me to do, I should be better able to tell you if I could be of any assistance to you.'
'You can be of the very greatest,' he cried. 'Indeed, from all that I have heard of you, Monsieur Gerard, you are the one man whom I should wish to have by my side tonight.'
'You forget that I am riding to join my regiment.'
'You cannot, in any case, reach it tonight. Tomorrow will bring you to Rossel. By staying with me you will confer the very greatest kindness upon me, and you will aid me in a matter which concerns my own honour and the honour of my family. I am compelled, however, to confess to you that some personal danger may possibly be involved.'
It was a crafty thing for him to say. Of course, I sprang from Rataplan's back and ordered the groom to lead him back into the stables.
'Come into the inn,' said I, 'and let me know exactly what it is that you wish me to do.'
He led the way into a sitting-room, and fastened the door lest we should be interrupted. He was a well-grown lad, and as he stood in the glare of the lamp, with the light beating upon his earnest face and upon his uniform of silver grey, which suited him to a marvel, I felt my heart warm towards him. Without going so far as to say that he carried himself as I had done at his age, there was at least similarity enough to make me feel in sympathy with him.
'I can explain it all in a few words,' said he. 'If I have not already satisfied your very natural curiosity, it is because the subject is so painful a one to me that I can hardly bring myself to allude to it. I cannot, however, ask for your assistance without explaining to you exactly how the matter lies.
'You must know, then, that my father was the well-known banker, Christophe Duroc, who was murdered by the people during the September massacres. As you are aware, the mob took possession of the prisons, chose three so-called judges to pass sentence upon the unhappy aristocrats, and then tore them to pieces when they were passed out into the street. My father had been a benefactor of the poor all his life. There were many to plead for him. He had the fever, too, and was carried in, half-dead, upon a blanket. Two of the judges were in favour of acquitting him; the third, a young Jacobin, whose huge body and brutal mind had made him a leader among these wretches, dragged him, with his own hands, from the litter, kicked him again and again with his heavy boots, and hurled him out of the door, where in an instant he was torn limb from limb under circumstances which are too horrible for me to describe. This, as you perceive, was murder, even under their own unlawful laws, for two of their own judges had pronounced in my father's favour.
'Well, when the days of order came back again, my elder brother began to make inquiries about this man. I was only a child then, but it was a family matter, and it was discussed in my presence. The fellow's name was Carabin. He was one of Sansterre's Guard, and a noted duellist. A foreign lady named the Baroness Straubenthal having been dragged before the Jacobins, he had gained her liberty for her on the promise that she with her money and estates should be his. He had married her, taken her name and title, and escaped out of France at the time of the fall of Robespierre. What had become of him we had no means of learning.
'You will think, doubtless, that it would be easy for us to find him, since we had both his name and his title. You must remember, however, that the Revolution left us without money, and that without money such a search is very difficult. Then came the Empire, and it became more difficult still, for, as you are aware, the Emperor considered that the 18th Brumaire brought all accounts to a settlement, and that on that day a veil had been drawn across the past. None the less, we kept our own family story and our own family plans.
'My brother joined the army, and passed with it through all Southern Europe, asking everywhere for the Baron Straubenthal. Last October he was killed at Jena, with his mission still unfulfilled. Then it became my turn, and I have the good fortune to hear of the very man of whom I am in search at one of the first Polish villages which I have to visit, and within a fortnight of joining my regiment. And then, to make the matter even better, I find myself in the company of one whose name is never mentioned throughout the army save in connection with some daring and generous deed.'
This was all very well, and I listened to it with the greatest interest, but I was none the clearer as to what young Duroc wished me to do.
'How can I be of service to you?' I asked.
'By coming up with me.'
'To the Castle?'
'Precisely.'
'When?'
'At once.'
'But what do you intend to do?'
'I shall know what to do. But I wish you to be with me, all the same.'
Well, it was never in my nature to refuse an adventure, and, besides, I had every sympathy with the lad's feelings. It is very well to forgive one's enemies, but one wishes to give them something to forgive also. I held out my hand to him, therefore.
'I must be on my way for Rossel tomorrow morning, but tonight I am yours,' said I.
We left our troopers in snug quarters, and, as it was but a mile to the Castle, we did not disturb our horses. To tell the truth, I hate to see a cavalry man walk, and I hold that just as he is the most gallant thing upon earth when he has his saddle-flaps between his knees, so he is the most clumsy when he has to loop up his sabre and his sabre-tasche in one hand and turn in his toes for fear of catching the rowels of his spurs. Still, Duroc and I were of the age when one can carry things off, and I dare swear that no woman at least would have quarrelled with the appearance of the two young hussars, one in blue and one in grey, who set out that night from the Arensdorf post-house. We both carried our swords, and for my own part I slipped a pistol from my holster into the inside of my pelisse, for it seemed to me that there might be some wild work before us.
The track which led to the Castle wound through a pitch-black fir-wood, where we could see nothing save the ragged patch of stars above our heads. Presently, however, it opened up, and there was the Castle right in front of us, about as far as a carbine would carry. It was a huge, uncouth place, and bore every mark of being exceedingly old, with turrets at every corner, and a square keep on the side which was nearest to us. In all its great shadow there was no sign of light save from a single window, and no sound came from it. To me there was something awful in its size and its silence, which corresponded so well with its sinister name. My companion pressed on eagerly, and I followed him along the ill-kept path which led to the gate.
There was no bell or knocker upon the great iron-studded door, and it was only by pounding with the hilts of our sabres that we could attract attention. A thin, hawk-faced man, with a beard up to his temples, opened it at last. He carried a lantern in one hand, and in the other a chain which held an enormous black hound. His manner at the first moment was threatening, but the sight of our uniforms and of our faces turned it into one of sulky reserve.
'The Baron Straubenthal does not receive visitors at so late an hour,' said he, speaking in very excellent French.
'You can inform Baron Straubenthal that I have come eight hundred leagues to see him, and that I will not leave until I have done so,' said my companion. I could not myself have said it with a better voice and manner.
The fellow took a sidelong look at us, and tugged at his black beard in his perplexity.
'To tell the truth, gentlemen,' said he, 'the Baron has a cup or two of wine in him at this hour, and you would certainly find him a more entertaining companion if you were to come again in the morning.'
He had opened the door a little wider as he spoke, and I saw by the light of the lamp in the hall behind him that three other rough fellows were standing there, one of whom held another of these monstrous hounds. Duroc must have seen it also, but it made no difference to his resolution.
'Enough talk,' said he, pushing the man to one side. 'It is with your master that I have to deal.'
The fellows in the hall made way for him as he strode in among them, so great is the power of one man who knows what he wants over several who are not sure of themselves. My companion tapped one of them upon the shoulder with as much assurance as though he owned him.
'Show me to the Baron,' said he.
The man shrugged his shoulders, and answered something in Polish. The fellow with the beard, who had shut and barred the front door, appeared to be the only one among them who could speak French.
'Well, you shall have your way,' said he, with a sinister smile. 'You shall see the Baron. And perhaps, before you have finished, you will wish that you had taken my advice.'
We followed him down the hall, which was stone-flagged and very spacious, with skins scattered upon the floor, and the heads of wild beasts upon the walls. At the farther end he threw open a door, and we entered.
It was a small room, scantily furnished, with the same marks of neglect and decay which met us at every turn. The walls were hung with discoloured tapestry, which had come loose at one corner, so as to expose the rough stonework behind. A second door, hung with a curtain, faced us upon the other side. Between lay a square table, strewn with dirty dishes and the sordid remains of a meal. Several bottles were scattered over it. At the head of it, and facing us, there sat a huge man with a lion-like head and a great shock of orange-coloured hair. His beard was of the same glaring hue; matted and tangled and coarse as a horse's mane. I have seen some strange faces in my time, but never one more brutal than that, with its small, vicious, blue eyes, its white, crumpled cheeks, and the thick, hanging lip which protruded over his monstrous beard. His head swayed about on his shoulders, and he looked at us with the vague, dim gaze of a drunken man. Yet he was not so drunk but that our uniforms carried their message to him.
'Well, my brave boys,' he hiccoughed. 'What is the latest news from Paris, eh? You're going to free Poland, I hear, and have meantime all become slaves yourselves—slaves to a little aristocrat with his grey coat and his three-cornered hat. No more citizens either, I am told, and nothing but monsieur and madame. My faith, some more heads will have to roll into the sawdust basket some of these mornings.'
Duroc advanced in silence, and stood by the ruffian's side.
'Jean Carabin,' said he.
The Baron started, and the film of drunkenness seemed to be clearing from his eyes.
'Jean Carabin,' said Duroc, once more.
He sat up and grasped the arms of his chair.
'What do you mean by repeating that name, young man?' he asked.
'Jean Carabin, you are a man whom I have long wished to meet.'
'Supposing that I once had such a name, how can it concern you, since you must have been a child when I bore it?'
'My name is Duroc.'
'Not the son of—?'
'The son of the man you murdered.'
The Baron tried to laugh, but there was terror in his eyes.
'We must let bygones be bygones, young man,' he cried. 'It was our life or theirs in those days: the aristocrats or the people. Your father was of the Gironde. He fell. I was of the mountain. Most of my comrades fell. It was all the fortune of war. We must forget all this and learn to know each other better, you and I.' He held out a red, twitching hand as he spoke.
'Enough,' said young Duroc. 'If I were to pass my sabre through you as you sit in that chair, I should do what is just and right. I dishonour my blade by crossing it with yours. And yet you are a Frenchman, and have even held a commission under the same flag as myself. Rise, then, and defend yourself!'
'Tut, tut!' cried the Baron. 'It is all very well for you young bloods—'
Duroc's patience could stand no more. He swung his open hand into the centre of the great orange beard. I saw a lip fringed with blood, and two glaring blue eyes above it.
'You shall die for that blow.'
'That is better,' said Duroc.
'My sabre!' cried the other. 'I will not keep you waiting, I promise you!' and he hurried from the room.
I have said that there was a second door covered with a curtain. Hardly had the Baron vanished when there ran from behind it a woman, young and beautiful. So swiftly and noiselessly did she move that she was between us in an instant, and it was only the shaking curtains which told us whence she had come.
'I have seen it all,' she cried. 'Oh, sir, you have carried yourself splendidly.' She stooped to my companion's hand, and kissed it again and again ere he could disengage it from her grasp.
'Nay, madame, why should you kiss my hand?' he cried.
'Because it is the hand which struck him on his vile, lying mouth. Because it may be the hand which will avenge my mother. I am his step-daughter. The woman whose heart he broke was my mother. I loathe him, I fear him. Ah, there is his step!' In an instant she had vanished as suddenly as she had come. A moment later, the Baron entered with a drawn sword in his hand, and the fellow who had admitted us at his heels.
'This is my secretary,' said he. 'He will be my friend in this affair. But we shall need more elbow-room than we can find here. Perhaps you will kindly come with me to a more spacious apartment.'
It was evidently impossible to fight in a chamber which was blocked by a great table. We followed him out, therefore, into the dimly-lit hall. At the farther end a light was shining through an open door.
'We shall find what we want in here,' said the man with the dark beard. It was a large, empty room, with rows of barrels and cases round the walls. A strong lamp stood upon a shelf in the corner. The floor was level and true, so that no swordsman could ask for more. Duroc drew his sabre and sprang into it. The Baron stood back with a bow and motioned me to follow my companion. Hardly were my heels over the threshold when the heavy door crashed behind us and the key screamed in the lock. We were taken in a trap.
For a moment we could not realize it. Such incredible baseness was outside all our experiences. Then, as we understood how foolish we had been to trust for an instant a man with such a history, a flush of rage came over us, rage against his villainy and against our own stupidity. We rushed at the door together, beating it with our fists and kicking with our heavy boots. The sound of our blows and of our execrations must have resounded through the Castle. We called to this villain, hurling at him every name which might pierce even into his hardened soul. But the door was enormous—such a door as one finds in mediaeval castles—made of huge beams clamped together with iron. It was as easy to break as a square of the Old Guard. And our cries appeared to be of as little avail as our blows, for they only brought for answer the clattering echoes from the high roof above us. When you have done some soldiering, you soon learn to put up with what cannot be altered. It was I, then, who first recovered my calmness, and prevailed upon Duroc to join with me in examining the apartment which had become our dungeon.
There was only one window, which had no glass in it, and was so narrow that one could not so much as get one's head through. It was high up, and Duroc had to stand upon a barrel in order to see from it.
'What can you see?' I asked.
'Fir-woods and an avenue of snow between them,' said he. 'Ah!' he gave a cry of surprise.
I sprang upon the barrel beside him. There was, as he said, a long, clear strip of snow in front. A man was riding down it, flogging his horse and galloping like a madman. As we watched, he grew smaller and smaller, until he was swallowed up by the black shadows of the forest.
'What does that mean?' asked Duroc.
'No good for us,' said I. 'He may have gone for some brigands to cut our throats. Let us see if we cannot find a way out of this mouse-trap before the cat can arrive.'
The one piece of good fortune in our favour was that beautiful lamp. It was nearly full of oil, and would last us until morning. In the dark our situation would have been far more difficult. By its light we proceeded to examine the packages and cases which lined the walls. In some places there was only a single line of them, while in one corner they were piled nearly to the ceiling. It seemed that we were in the storehouse of the Castle, for there were a great number of cheeses, vegetables of various kinds, bins full of dried fruits, and a line of wine barrels. One of these had a spigot in it, and as I had eaten little during the day, I was glad of a cup of claret and some food. As to Duroc, he would take nothing, but paced up and down the room in a fever of anger and impatience. 'I'll have him yet!' he cried, every now and then. 'The rascal shall not escape me!'
This was all very well, but it seemed to me, as I sat on a great round cheese eating my supper, that this youngster was thinking rather too much of his own family affairs and too little of the fine scrape into which he had got me. After all, his father had been dead fourteen years, and nothing could set that right; but here was Etienne Gerard, the most dashing lieutenant in the whole Grand Army, in imminent danger of being cut off at the very outset of his brilliant career. Who was ever to know the heights to which I might have risen if I were knocked on the head in this hole-and-corner business, which had nothing whatever to do with France or the Emperor? I could not help thinking what a fool I had been, when I had a fine war before me and everything which a man could desire, to go off on a hare-brained expedition of this sort, as if it were not enough to have a quarter of a million Russians to fight against, without plunging into all sorts of private quarrels as well.
'That is all very well,' I said at last, as I heard Duroc muttering his threats. 'You may do what you like to him when you get the upper hand. At present the question rather is, what is he going to do to us?'
'Let him do his worst!' cried the boy. 'I owe a duty to my father.'
'That is mere foolishness,' said I. 'If you owe a duty to your father, I owe one to my mother, which is to get out of this business safe and sound.'
My remark brought him to his senses.
'I have thought too much of myself!' he cried. 'Forgive me, Monsieur Gerard. Give me your advice as to what I should do.'
'Well,' said I, 'it is not for our health that they have shut us up here among the cheeses. They mean to make an end of us if they can. That is certain. They hope that no one knows that we have come here, and that none will trace us if we remain. Do your hussars know where you have gone to?'
'I said nothing.'
'Hum! It is clear that we cannot be starved here. They must come to us if they are to kill us. Behind a barricade of barrels we could hold our own against the five rascals whom we have seen. That is, probably, why they have sent that messenger for assistance.'
'We must get out before he returns.'
'Precisely, if we are to get out at all.'
'Could we not burn down this door?' he cried.
'Nothing could be easier,' said I. 'There are several casks of oil in the corner. My only objection is that we should ourselves be nicely toasted, like two little oyster pâtés.'
'Can you not suggest something?' he cried, in despair. 'Ah, what is that?'
There had been a low sound at our little window, and a shadow came between the stars and ourselves. A small, white hand was stretched into the lamplight. Something glittered between the fingers.
'Quick! quick!' cried a woman's voice.
We were on the barrel in an instant.
'They have sent for the Cossacks. Your lives are at stake. Ah, I am lost! I am lost!'
There was the sound of rushing steps, a hoarse oath, a blow, and the stars were once more twinkling through the window. We stood helpless upon the barrel with our blood cold with horror. Half a minute afterwards we heard a smothered scream, ending in a choke. A great door slammed somewhere in the silent night.
'Those ruffians have seized her. They will kill her,' I cried.
Duroc sprang down with the inarticulate shouts of one whose reason has left him. He struck the door so frantically with his naked hands that he left a blotch of blood with every blow.
Here is the key!' I shouted, picking one from the floor. 'She must have thrown it in at the instant that she was torn away.'
My companion snatched it from me with a shriek of joy. A moment later he dashed it down upon the boards. It was so small that it was lost in the enormous lock. Duroc sank upon one of the boxes with his head between his hands. He sobbed in his despair. I could have sobbed, too, when I thought of the woman and how helpless we were to save her.
But I am not easily baffled. After all, this key must have been sent to us for a purpose. The lady could not bring us that of the door, because this murderous step-father of hers would most certainly have it in his pocket. Yet this other must have a meaning, or why should she risk her life to place it in our hands? It would say little for our wits if we could not find out what that meaning might be.
I set to work moving all the cases out from the wall, and Duroc, gaining new hope from my courage, helped me with all his strength. It was no light task, for many of them were large and heavy. On we went, working like maniacs, slinging barrels, cheeses, and boxes pell-mell into the middle of the room. At last there only remained one huge barrel of vodka, which stood in the corner. With our united strength we rolled it out, and there was a little low wooden door in the wainscot behind it. The key fitted, and with a cry of delight we saw it swing open before us. With the lamp in my hand, I squeezed my way in, followed by my companion.
We were in the powder-magazine of the Castle—a rough, walled cellar, with barrels all round it, and one with the top staved in in the centre. The powder from it lay in a black heap upon the floor. Beyond there was another door, but it was locked.
'We are no better off than before,' cried Duroc. 'We have no key.'
'We have a dozen!' I cried.
'Where?'
I pointed to the line of powder barrels.
'You would blow this door open?'
'Precisely.'
'But you would explode the magazine.'
It was true, but I was not at the end of my resources.
'We will blow open the store-room door,' I cried.
I ran back and seized a tin box which had been filled with candles. It was about the size of my busby—large enough to hold several pounds of powder. Duroc filled it while I cut off the end of a candle. When we had finished, it would have puzzled a colonel of engineers to make a better petard. I put three cheeses on the top of each other and placed it above them, so as to lean against the lock. Then we lit our candle-end and ran for shelter, shutting the door of the magazine behind us.
It is no joke, my friends, to be among all those tons of powder, with the knowledge that if the flame of the explosion should penetrate through one thin door our blackened limbs would be shot higher than the Castle keep. Who could have believed that a half-inch of candle could take so long to burn? My ears were straining all the time for the thudding of the hoofs of the Cossacks who were coming to destroy us. I had almost made up my mind that the candle must have gone out when there was a smack like a bursting bomb, our door flew to bits, and pieces of cheese, with a shower of turnips, apples, and splinters of cases, were shot in among us. As we rushed out we had to stagger through an impenetrable smoke, with all sorts of débris beneath our feet, but there was a glimmering square where the dark door had been. The petard had done its work.
In fact, it had done more for us than we had even ventured to hope. It had shattered gaolers as well as gaol. The first thing that I saw as I came out into the hall was a man with a butcher's axe in his hand, lying flat upon his back, with a gaping wound across his forehead. The second was a huge dog, with two of its legs broken, twisting in agony upon the floor. As it raised itself up I saw the two broken ends flapping like flails. At the same instant I heard a cry, and there was Duroc, thrown against the wall, with the other hound's teeth in his throat. He pushed it off with his left hand, while again and again he passed his sabre through its body, but it was not until I blew out its brains with my pistol that the iron jaws relaxed, and the fierce, bloodshot eyes were glazed in death.
There was no time for us to pause. A woman's scream from in front—a scream of mortal terror—told us that even now we might be too late. There were two other men in the hall, but they cowered away from our drawn swords and furious faces. The blood was streaming from Duroc's neck and dyeing the grey fur of his pelisse. Such was the lad's fire, however, that he shot in front of me, and it was only over his shoulder that I caught a glimpse of the scene as we rushed into the chamber in which we had first seen the master of the Castle of Gloom.
The Baron was standing in the middle of the room, his tangled mane bristling like an angry lion. He was, as I have said, a huge man with enormous shoulders; and as he stood there, with his face flushed with rage and his sword advanced, I could not but think that, in spite of all his villainies, he had a proper figure for a grenadier. The lady lay cowering in a chair behind him. A weal across one of her white arms and a dog-whip upon the floor were enough to show that our escape had hardly been in time to save her from his brutality. He gave a howl like a wolf as we broke in, and was upon us in an instant, hacking and driving, with a curse at every blow.
I have already said that the room gave no space for swordsmanship. My young companion was in front of me in the narrow passage between the table and the wall, so that I could only look on without being able to aid him. The lad knew something of his weapon, and was as fierce and active as a wild cat, but in so narrow a space the weight and strength of the giant gave him the advantage. Besides, he was an admirable swordsman. His parade and riposte were as quick as lightning. Twice he touched Duroc upon the shoulder, and then, as the lad slipped on a lunge, he whirled up his sword to finish him before he could recover his feet. I was quicker than he, however, and took the cut upon the pommel of my sabre.
'Excuse me,' said I, 'but you have still to deal with Etienne Gerard.'
He drew back and leaned against the tapestry-covered wall, breathing in little, hoarse gasps, for his foul living was against him.
'Take your breath,' said I. 'I will await your convenience.'
'You have no cause of quarrel against me,' he panted.
'I owe you some little attention,' said I, 'for having shut me up in your store-room. Besides, if all other were wanting, I see cause enough upon that lady's arm.'
'Have your way, then!' he snarled, and leaped at me like a madman. For a minute I saw only the blazing blue eyes, and the red glazed point which stabbed and stabbed, rasping off to right or to left, and yet ever back at my throat and my breast. I had never thought that such good sword-play was to be found at Paris in the days of the Revolution. I do not suppose that in all my little affairs I have met six men who had a better knowledge of their weapon. But he knew that I was his master. He read death in my eyes, and I could see that he read it. The flush died from his face. His breath came in shorter and in thicker gasps. Yet he fought on, even after the final thrust had come, and died still hacking and cursing, with foul cries upon his lips, and his blood clotting upon his orange beard. I who speak to you have seen so many battles, that my old memory can scarce contain their names, and yet of all the terrible sights which these eyes have rested upon, there is none which I care to think of less than of that orange beard with the crimson stain in the centre, from which I had drawn my sword-point.
It was only afterwards that I had time to think of all this. His monstrous body had hardly crashed down upon the floor before the woman in the corner sprang to her feet, clapping her hands together and screaming out in her delight. For my part I was disgusted to see a woman take such delight in a deed of blood, and I gave no thought as to the terrible wrongs which must have befallen her before she could so far forget the gentleness of her sex. It was on my tongue to tell her sharply to be silent, when a strange, choking smell took the breath from my nostrils, and a sudden, yellow glare brought out the figures upon the faded hangings.
'Duroc, Duroc!' I shouted, tugging at his shoulder. 'The Castle is on fire!'
The boy lay senseless upon the ground, exhausted by his wounds. I rushed out into the hall to see whence the danger came. It was our explosion which had set alight to the dry frame-work of the door. Inside the store-room some of the boxes were already blazing. I glanced in, and as I did so my blood was turned to water by the sight of the powder barrels beyond, and of the loose heap upon the floor. It might be seconds, it could not be more than minutes, before the flames would be at the edge of it. These eyes will be closed in death, my friends, before they cease to see those crawling lines of fire and the black heap beyond.
How little I can remember what followed. Vaguely I can recall how I rushed into the chamber of death, how I seized Duroc by one limp hand and dragged him down the hall, the woman keeping pace with me and pulling at the other arm. Out of the gateway we rushed, and on down the snow-covered path until we were on the fringe of the fir forest. It was at that moment that I heard a crash behind me, and, glancing round, saw a great spout of fire shoot up into the wintry sky. An instant later there seemed to come a second crash, far louder than the first. I saw the fir trees and the stars whirling round me, and I fell unconscious across the body of my comrade.
It was some weeks before I came to myself in the post-house of Arensdorf, and longer still before I could be told all that had befallen me. It was Duroc, already able to go soldiering, who came to my bedside and gave me an account of it. He it was who told me how a piece of timber had struck me on the head and laid me almost dead upon the ground. From him, too, I learned how the Polish girl had run to Arensdorf, how she had roused our hussars, and how she had only just brought them back in time to save us from the spears of the Cossacks who had been summoned from their bivouac by that same black-bearded secretary whom we had seen galloping so swiftly over the snow. As to the brave lady who had twice saved our lives, I could not learn very much about her at that moment from Duroc, but when I chanced to meet him in Paris two years later, after the campaign of Wagram, I was not very much surprised to find that I needed no introduction to his bride, and that by the queer turns of fortune he had himself, had he chosen to use it, that very name and title of the Baron Straubenthal, which showed him to be the owner of the blackened ruins of the Castle of Gloom.

Wednesday, September 14, 2011

25 years of the Commonwealth Writers' Prize

To mark its 25th Anniversary, The Commonwealth Writers Prize has undergone something of a transformation. With renewed focus on finding and rewarding new writing talent across fifty four countries, the Commonwealth Writers has dropped its best book category and replaced it with the Commonwealth Short Story Prize. So now The Commonwealth Writers Prize will comprise of the First Book Prize and the Short Story Prize.  

A clever move by the Commonwealth Writers as, regional prizes like Life's Too Short have lead to the discovery of new talent and fantastic manuscripts such as Jamil Ahmad's Wandering Falcon. Some literary agencies have clocked onto this and set up Prizes in a bid to discover literary stars from regions not normally plugged into the world of literary agents and publishers. 

Will keep you posted on further developments such as the new website, any creative writing activities etc.
Full details of the prizes, deadlines and prize money can be found below:

Commonwealth Foundation – Commonwealth Writers’ Prize and Short Story Competition
You may be aware that the Commonwealth Writers’ Prize was twenty five years old this year and the Commonwealth Short Story competition has remained largely unchanged since 1996. To bring these two prestigious awards into the 21st Century we’re modernising and re-launching both prizes, as part of the Foundation’s cultural programme, under the new banner of Commonwealth Writers - A World of New Fiction at   www.commonwealthwriters.org  
Commonwealth Writers will include a new website, on-the-ground creative writing activities  within regional communities, increased prize money, and the publication of an anthology of the winning short stories.
Commonwealth Writers aims to unearth, promote and connect new writing talent across the fifty four countries of the Commonwealth. It will do this in two ways:  
Prizes
We’ve preserved the strongest elements of the Commonwealth Foundation’s existing prizes, while at the same time putting them on the contemporary map of international new fiction:
Commonwealth Book Prize
Awarded for best first book, this prize is open to writers who have had their first novel (full length work of fiction) published between 1 January and 31 December  2011. Regional winners receive £2,500 and the overall winner receives £10,000.
N.B. there will no longer be a Best Book award.
Commonwealth Short Story Prize
Awarded for the best piece of unpublished short fiction (2,000- 5,000 words). Regional winners receive £1,000 and the overall winner receives £5,000.
For each prize we award four regional winners and one overall winner. The regions are Africa; Asia; Canada and Europe; Caribbean; and the Pacific. Both prizes are open to Commonwealth citizens aged 18 or over.
Rules and eligibility information for both prizes, as well as the online entry forms, will be available at www.commonwealthwriters.org from 18 October 2011. The closing date for entries for the Commonwealth Book Prize is 31 December 2011; and the closing date for entries for the Commonwealth Short Story Prize is 30 November 2011. 
Opportunities
Commonwealth Writers is on the lookout for fresh, new, talented writers from all parts of the Commonwealth.  It aims to unearth those writers with talent, an original voice, and stories to tell. We’ll be working in partnership with international writers’ organisations, the wider cultural industries, and civil society to help new writers develop their craft.
The prizes and outreach activities act as catalysts to target and identify talented writers from different regions who will go on to inspire and inform their local communities. Meanwhile, www.commonwealthwriters.org will be an online hub to inspire, inform and motivate distinctive new voices. 

Saturday, August 27, 2011

New fiction: Open City by Teju Cole

What's all the fuss about Teju Cole? In February of this year whilst I was harping on about Tea Obreht, 'ace' literary critic James Wood of the New Yorker was staking his reputation on the brilliance of another newcomer, Teju Cole. Let me state from the outset that I place great stock in a mere suggestion made by Mr. Wood, so his review of Open City, which was beyond glowing, had a host of literary types clambering for a copy. 
Thankfully the copies have arrived. One was immediately snapped up by writer Bilal Tanweer who had reserved a copy being as always ten steps ahead of everyone else, whilst one is residing on my bedside table jostling Chinaman for attention. Here is James Wood's review of a great New York novel written by a true flâneur, and brimming with sympathy for the solitary lives of latter day migrants.

The Arrival of Enigma
Teju Cole's prismatic debut novel, "Open City"
By James Wood February 28, 2011

Publishers now pitch their books like Hollywood concepts, so Teju Cole’s first novel, “Open City” (Random House; $25), is being offered as especially appealing to “readers of Joseph O’Neill and Zadie Smith,” and written in a prose that “will remind you” of W. G. Sebald and J. M. Coetzee. This is shorthand for “post-colonialism in New York” (O’Neill), “lively multiracial themes” (Smith), “free-flowing form with no plot, narrated by a scholarly solitary walker” (Sebald), “obviously serious” (Coetzee), and “finely written” (all of the above). There is the additional comedy that Cole’s publishers, determined to retain the baby with the bathwater, boldly conjoin Smith and O’Neill, despite Smith’s hostility, advertised in an essay entitled “Two Paths for the Novel,” to O’Neill’s expensive and upholstered “lyrical realism.”
This busy campaign for allies does a disfavor to Teju Cole’s beautiful, subtle, and, finally, original novel. “Open City” is indeed largely set in a multiracial New York (the open city of the title). Cole is a Nigerian American; he grew up in Lagos, came to America in 1992, at the age of seventeen, and is a graduate student in art history at Columbia University. The book’s half-Nigerian, half-German narrator walks around New York (and, briefly, Brussels), and meets a range of people, several of them immigrants or emigrants: a Liberian, imprisoned for more than two years in a detention facility in Queens; a Haitian shoeshiner, at work in Penn Station; an angry Moroccan student, manning an Internet café in Brussels. This narrator has a well-stocked mind: he thinks about social and critical theory, about art (Chardin, Velázquez, John Brewster), and about music (Mahler, Peter Maxwell Davies, Judith Weir), and he has interesting books within easy reach—Roland Barthes’s “Camera Lucida,” Peter Altenberg’s “Telegrams of the Soul,” Tahar Ben Jelloun’s “The Last Friend,” Kwame Anthony Appiah’s “Cosmopolitanism.”
So the novel does move in the shadow of W. G. Sebald’s work. While “Open City” has nominally separate chapters, it has the form and atmosphere of a text written in a single, unbroken paragraph: though people speak and occasionally converse, this speech is not marked by quotation marks, dashes, or paragraph breaks and is formally indistinguishable from the narrator’s own language. As in Sebald, what moves the prose forward is not event or contrivance but a steady, accidental inquiry, a firm pressurelessness (which is to say, what moves the prose forward is the prose—the desire to write, to defeat solitude by writing). The first few pages of “Open City” are intensely Sebaldian, with something of his sly faux antiquarianism. On the first page, the narrator tells us that he started to go on evening walks “last fall,” and found his neighborhood, Morningside Heights, “an easy place from which to set out into the city”; indeed, these walks “steadily lengthened, taking me farther and farther afield each time, so that I often found myself at quite a distance from home late at night, and was compelled to return home by subway.”




Friday, August 12, 2011

Nick Harkaway on 89 Chapters today!

Today on 89 Chapters, writer Nick Harkaway reads from and talks about his insane war-kung fu-romance-speculative novel The Gone Away World, wedding dances & rabbit tangos! Listen live at www.citym89.com, 2pm PST, 10 am GMT.

Friday, July 29, 2011

New Fiction: Jamrach's Menagerie by Carol Birch

Already nominated for the Orange Prize, Jamrach's Menagerie again made headlines by it's inclusion in the 2011 Booker Longlist.

Carol Birch has written a wonderful period novel with a sense of adventure.  Jaffy Brown is running along a street in London’s East End when he comes face to face with an escaped circus animal. Plucked from the jaws of death by Mr Jamrach – explorer, entrepreneur and collector of the world’s strangest creatures – the two strike up a friendship.Before he knows it, Jaffy finds himself on board a ship bound for the Dutch East Indies, on an unusual commission for Mr Jamrach. His journey – if he survives it – will push faith, love and friendship to their utmost limits.

Jamrach's Menagerie has been lapped up by the critics since it's released this February:

'In Jamrach's Menagerie, Carol Birch quickly sucks you into a world of the senses, from the filthy streets of Victorian London to the rolling hills of the South Seas. Jaffy Brown, the gifted narrator at the center of this mythic tale, rivals David Copperfield and Ishmael of Moby-Dick with his gift for storytelling. His `rare old time' becomes, in due course, a fable of friendship, and a tribute to human survival. What a beautifully written and engaging novel!' --Jay Parini, author of THE PASSAGES OF HERMAN MELVILLE and THE LAST STATION

'Never mind not being able to put it down--there is a 100-page section in Jamrach's Menagerie in which you will not be able to breathe. Rarely have I read a book that so deftly marries high literary value with unbearable suspense.' --Robert Hough, author of THE FINAL CONFESSION OF MABEL STARK, THE STOWAWAY and THE CULPRITS

'One of the best stories I've ever read. [Birch] tells the most extraordinarily good story. A completely original book.' --A S Byatt

'Whenever I read of people moaning on about the dire state of British fiction, I think of Carol Birch (and people like her) who are writing such good novels . . . her forte is feelings , about which she is so acute.' --Margaret Forster

'Birch is a naturally literary writer who can, with a simple image, evoke the deepest emotion.'
--Guardian

'An imaginative tour-de-force ... gripping, superbly written and a delight.' --Times

'Riveting ... Masterful... A teeming exhibition of the beautiful and the bizarre.' --Sunday Times

'A juicy tale of 19th-century dragon-hunters, wombat-pedlars and Jolly Jacks Tar ... [the] words sing on the page.' --Financial Times

'Magical ... A sustained feat of imagination and diligent research.' --Daily Mail

'A captivating yarn of high seas and even higher drama.'
--Guardian